Welcome to Rosie the Reviewer, a Dutch-Canadian female-led WW2 media podcast. A new episode airs every Friday!
Rosie the Reviewer is a passion project, built episode by episode. If you’d like to support what we do, you can help keep us on the air or pick up some Rosie merch. We’re working on more ways for you to get involved in the future.
In this week’s episode, we talk about Captain America: The First Avenger. He was created to fight Nazis, after all.
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Discover the true stories of Virginia Hall, Noor Inayat Khan, and Vera Atkins — the real women behind A Call to Spy. Learn how these courageous women shaped the SOE.
This week on Rosie, we talk about the 1999 German film Aimée & Jaguar, recommended by Samuel Clowes Huneke, and the 1994 book it is based on. It explores the story of Lilly Wust and Felice Schragenheim, two women who fell in love in Nazi-occupied Berlin in 1943. We talk about their story of self-discovery, resistance and queer culture in Berlin.
In this episode of Rosie the Reviewer, we discuss Miracle of the White Stallions (1963), a Disney live-action film inspired by the real rescue of the Lipizzaner horses of the Spanish Riding School at the end of World War II.
Set in the war’s final months in Austria and Czechoslovakia, the film offers a very Disney take on Operation Cowboy, the joint effort to save the horses as the Third Reich collapsed.
Joined by our friend Alora, we explore why the real history is more compelling than the film, and why this extraordinary rescue deserves a modern retelling.
In part one of two episodes about the Canadian TV show Bomb Girls, we discuss the lives and adventures of a group of women working in a munitions factory in Toronto! Let me tell you, we are very excited to finally be talking about Canada.
Also, all the men are trash. Fasten your seatbelts. You’re in for some drama!
In this episode of Rosie the Reviewer, we embark on a cinematic sortie with Le Grand Cirque (The Big Show), the 1950 French film based on the bestselling memoir by ace pilot Pierre Clostermann. While the movie tries to be authentic with vintage aircraft footage and Free French pride, we found it weighed down by a lack of character depth and narrative, especially compared to Clostermann’s vivid, emotionally resonant book. We discuss Clostermann’s daring missions, the film’s historical context, its unique multilingual quirks, and why this underrated French perspective on WWII deserves more attention, perhaps from Hollywood—preferably with subtitles next time.
Rosie the Reviewer is a passion project, built episode by episode. If you’d like to support what we do, you can help keep us on the air or pick up some Rosie merch. We’re working on more ways for you to get involved in the future.