Description
In this episode of Rosie the Reviewer, we embark on a cinematic sortie with Le Grand Cirque (The Big Show), the 1950 French film based on the bestselling memoir by ace pilot Pierre Clostermann. While the movie tries to be authentic with vintage aircraft footage and Free French pride, we found it weighed down by a lack of character depth and narrative, especially compared to Clostermann’s vivid, emotionally resonant book. We discuss Clostermann’s daring missions, the film’s historical context, its unique multilingual quirks, and why this underrated French perspective on WWII deserves more attention, perhaps from Hollywood—preferably with subtitles next time.
Le Grand Cirque trailer (ish)
Book Rec by Sam
If you read just one World War II memoir this year, make it Pierre Clostermann’s Le Grand Cirque (The Big Show). Written by France’s most decorated fighter pilot, this vivid account of over 400 combat missions is equal parts adrenaline and introspection. Clostermann’s writing captures the chaos of dogfights, the emotional weight of constant loss, and the absurd camaraderie of young men sent to war—often with humor, humility, and surprising poetry. From Spitfires over Biggin Hill to his final flight in a Tempest, his reflections are as gripping as they are heartbreaking. Far richer than its film adaptation, Le Grand Cirque is a moving, unforgettable portrait of wartime from the cockpit and beyond.
