Description
We talk about the movie and book Unbroken. We might be a little mean. But that’s got nothing to do with Louis Zamperini.
In this episode of Rosie the Reviewer, Bec returns to the pod to talk about the first three episodes of our favourite HBO War drama The Pacific (2010). Together, we discuss the show’s opening, the amazing theme, the great friendships… and we can’t stop gushing about Bob Leckie. Sorry. Not really.
In this episode of Rosie the Reviewer, we head to the South Pacific to explore Rodgers & Hammerstein’s classic World War II musical. Maartje and Sam discuss whether war is a suitable backdrop for a musical, and dive into the show’s complicated relationship with racism — from its progressive anthem “You’ve Got to Be Carefully Taught” to its undeniably stereotypical portrayals. Plus, a detour into the CB’s (Maartje’s obsessed!) and cultural memory.
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This week, we have a very special guest on the pod: actor Scott Gibson. We talk to him about his portrayal of Andy Haldane in HBO’s The Pacific, his recent trip to Guam and Peleliu with Beyond the Call and his upcoming documentary.
In this episode of Rosie the Reviewer, we wrap up our three-part discussion of The Pacific (2010) with episodes 7-10. Brace yourself for the brutal fighting on Peleliu and Okinawa to John and Lena Basilone, his final chapter and the long road home for Eugene Sledge and Robert Leckie. Alongside our returning guest George, we talk about leadership, disillusionment, the role of civilians, and the way grief and memory follow these men long after the war ends.
In this episode of Rosie the Reviewer, we unpack The Narrow Road to the Deep North, the harrowing new WWII series starring Jacob Elordi as Australian surgeon Dorrigo Evans. Based on Richard Flanagan’s Booker Prize-winning novel, the show follows Dorrigo’s life before, during, and after his time as a POW forced to build the Burma Railway. We talk symbolism, adaptation choices, and why every character in this show feels trapped—by war, by love, by legacy. Plus, we ask, once again, why is it so f*cking dark?